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The first reviews for Peter Jackson's The Lovely Bones are beginning to pour in, and, naturally (for a popular, fan-friendly director like Jackson), there are the raves (Harry Knowles from AICN) and the pans (Todd McCarthy from Variety). Just posted this evening over at Variety, McCarthy's review is perhaps the hardest one to swallow. Essentially his biggest problem with the movie were the effects, claiming Jackson uses them way too much (and too often) for a film (and story) that doesn't really require them. He calls it "show-offy" and says the film "rates as a significant artistic disappointment." It's an unfortunate review for a film that was a shoe-in (and still may be, especially for Stanley Tucci) for multiple Oscar nods on almost everyone's list.

Some other quotes (no spoilers):

-- "This is an incredibly lovely film. From the visuals to the performances to the story-telling and film work... it all goes to capture a very powerful story in a way that makes you want to hug those close to you." -- Harry Knowles, AICN

-- "It's not that The Lovely Bones is a bad movie, exactly. It is handsomely made and strongly acted, while its woozy, lullaby ambience recalls Jackson's work on the brilliant Heavenly Creatures, before he set forth on his epic voyage through The Lord of the Rings." -- Xan Brooks, Guardian

-- "Peter Jackson's eagerly awaited film version of Alice Sebold's bestselling novel is sometimes exquisitely realised, sometimes frustratingly uneven. ... While The Lovely Bones is as dark as it gets thematically, it will still be an event movie for the adult audience." -- Mike Goodridge, Screen Daily

-- This was never going to be an easy story to film. Using the same characters and many events, Jackson and his team tell a fundamentally different story. It's one that is not without its tension, humor and compelling details. But it's also a simpler, more button-pushing tale that misses the joy and heartbreak of the original." -- Kirk Honeycutt, The Hollywood Reporter

The Lovely Bones hits theaters on December 11th.

A mere month ago, it seemed like Michael Connelly's The Lincoln Lawyer was set for a top notch adaptation thanks to the arrival of Tommy Lee Jones. Jones was interested in directing and costarring in the film, which gave us all hope that he could help makeover Matthew McConaughey into something serious and shirt wearing. But alas, it's not to be. Variety reports that Jones has departed The Lincoln Lawyer, leaving it idling and spitting fumes.

Jones departed for that vague and all-encompassing reason "creative differences." Variety reports that he had issues with John Romano's script, and neither Jones nor Lakeshore Entertainment were willing to budge. The studio is currently on the hunt for a new director, and hopes to be shooting by spring.

So, feel free to speculate on just what script issues there might have been. I know we have some Connelly fans who were looking forward to this, and who know more about the book than I do. Given that it is a star vehicle for McConaughey, and the character is a bit of a legal freewheeler, I wonder if the script is more of a comedic departure from the book. We've cracked a lot of jokes about bongo drums and shirtlessness, but could that actually have been what Jones departed over? It's sleazy and easy to jump to that conclusion, and I can't really believe a Connelly book could be adapted into Fool's Gold. But this is Hollywood. Stranger things have happened.

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

Attention pervy men: While it might seem like biting is the new flirting, especially with the hordes of girls begging Robert Pattinson to bite them, you are not RPatt and that is not cool. And for you fellow filmgoers -- don't let the sickos get away, okay? Do you want to worry about who sits behind you or walks too close as you exit a theater?

You can watch the newscast after the jump.

If you held out faint hope that Hugh Jackman wouldn't be helping Shawn Levy box robots, and would abandon it for a feature film adaptation of A Steady Rain, kiss it goodbye now. Variety reports that DreamWorks' Steven Spielberg and Stacey Snider have green-lit Real Steel, making it the studio's first big financial project since it split with Paramount, and had to find its own money.

Spielberg was attached to the project as executive producer when it was first announced, and it seems that it's been a real passion project for him. DreamWorks bought the project back in 2005, and it was one of the films they held onto after splitting from Paramount. "When we took it with us, we really highlighted it as something we would put the pedal to metal on," said DreamWorks co-president of production Mark Sourian. "It's a project that Steven always wanted to do. It just came together rapidly after we left Paramount." The film will be made for the relatively low budget of $80 million, and will begin production next June.

With a low budget to avoid Transformers excess, perhaps the magic of Spielberg and Richard Matheson can overcome the kiddie tendencies of Shawn Levy, and turn it into something special. A lot of commenters mentioned that Matheson's story was adapted into an episode of the Twilight Zone called Steel. Happily, it's online and I've embedded it below the jump. It really is a good episode, and while Levy keeps stressing that his Real Steel is grounded in its "father-son relationship," I hope it can retain a bit of Matheson's grit. I could be happy with a robot version of Million Dollar Baby.

Now rolling in New Moon millions, Chris Weitz is being more open about his troubles with New Line and The Golden Compass, a film that sank one studio and sent him into a tailspin. Rumors abounded as to what went wrong on that film, and as recently as last week, New York's Page Six was claiming that residual stress was causing him to leave the industry.

Weitz denied any such thing to Variety, and announced he was leaving the world of the supernatural behind with his next film, The Gardener. The film centers around a hard working Mexican gardener and his efforts to protect his son, and Weitz will be making it alongside his new best friends forever, Summit Entertainment. His new friendship enabled him to take a parting shot at New Line. Weitz praises Summit and Stephenie Meyer for trusting him with New Moon, an experience that was the polar opposite of the debacle that was The Golden Compass.

Weitz claims that New Line didn't trust him to handle the content of the book, that the film was taken from him in editing. Heavy-handed hacking resulted in losing nearly 30 minutes of footage from the film, and neatly exercised the edgy thrust of Phillip Pullman's book. "It was an utter violation of my status as a director and the worst thing that has happened to me professionally ... I was treated badly, it was almost like they never read the books. They seemed frightened of offending the right." Out of loyalty to the cast and crew, Weitz said he "bit through my tongue" when Compass was released.

As a fan of Pullman's His Dark Materials series, I'd love to see all that missing footage to see if it could salvage Weitz's film, and if New Line really neutered it.

Go below the jump for the rest

There seems to be a slow and steady drive towards remaking everything that ever appeared on British television. I suppose that's all right (they do have fantastic shows and made-for-television movies in the United Kingdom) but what happens on that dark day when Hollywood runs out of British productions? Yikes. Let's not think about that, and turn instead to the dark version of 1980 that's being remade for the modern viewer, as Variety reports that British favorite UFO is being re-imagined for the big screen. UFO will be helmed by Matthew Gratzner, and will star Joshua Jackson.

The British premise for UFO was set in the near future (ten years in their case -- the show aired in 1970 and took place in 1980) where aliens had conquered Earth. Naturally, they didn't do so with altruistic means, but to use us as an organ harvesting ground. Humanity's future lay with SHADO, (Supreme Headquarters Aliens Defense Organization), a covert organization pretending to be a movie studio, who defend against the alien horde. Many have tried to remake UFO and failed, the last evolved into Space: 1999. (I can't find any reference as to V took any inspiration from it. The timing screams that it wasn't a coincidence.)

Jackson will play Paul Foster, a test pilot who joins SHADO. Foster is one of the original characters, and had an interesting little conflict after he became involved with the enemy. Since Gratzner praises his ability to show Foster's "inner conflict," the movie will undoubtedly take that and run with it. The movie is aiming to begin filming in the spring.

According to estimates over at Variety, The Twilight Saga: New Moon failed to top The Dark Knight's three-day opening weekend record of $158 million, bringing what I'm sure will be a huge sigh of relief to all those folks (and there's lots of them) who felt the film was in no way deserving of these historic milestones. Instead, after clinching the Best Midnight Opening record and Best Opening Day record, New Moon will have to settle for third on the Best Opening Weekend list after walking away with a pretty astonishing $130 $140 million when it was all said and done.

If that number holds up (and it should), the film will replace Pirates of the Caribbean: At World's End for third place on the list of all-time best opening weekends (domestic), and will settle in behind only Spider-Man 3 (second) and The Dark Knight (first). Still, with $130 $140 million, New Moon more than doubled Twilight's opening weekend ($69 million) -- in addition to taking in the largest domestic weekend gross of the year -- so if the franchise remains on that pace there's a good chance The Twilight Saga: Eclipse will indeed snatch the opening weekend record from The Dark Knight when it hits theaters on June 30th ... that is, unless Iron Man 2 doesn't get to it first.

Though early rumors suggested the film was going to clock in at over three hours, 20th Century Fox claims James Cameron's Avatar will instead clock in at 150 minutes (or 2.5 hours), or about 156 minutes if you count the credits. The main reason why the film will run under three hours is because of the IMAX showings. Avatar will open in about 180 domestic IMAX theaters on December 18th, and because of the way the IMAX system is set up, the theaters that aren't converted over to digital projection can only hold about 170 minutes worth of film. But while Cameron's final edit came in significantly under 170 minutes, there's no saying whether there will be a cut on the DVD that will run over 170 minutes. According to The Hollywood Reporter, Avatar will open on a minimum of 5,500 screens, with almost half of those screens equipped to show the film in 3D.

In other Avatar news, two new featurettes were released online toward the latter part of the week. IGN UK unveiled one behind-the-scenes video focused primarily on the realistic sci-fi equipment created for the film, and Coke Zero released a video that introduces Stephen Ling's character, Col. Quaritch, and reveals a whole bunch of new footage. You can watch both videos over at SciFi Squad.